Kirsty Irving
Jeremiah hauls his walrus
of a body weekly to drop
hawthorn berries (it’s the nearest
bush to the house)
on Rachel’s rectangle of mud.
He does it quickly, mutters something
in a scoosh of spittle, one eye
on the road, jumps at a pigeon
interrogating a crisp bag,
then grumbles back home.
In the front room, to a solid stream
of “Useless, absolute plank, what are you?”
Benjamin will be replacing
the latest bunch of brown daisies,
with only slightly
more alive weeds.
Fifteen years, calcium, dust and hair,
no muscle left. Why do people fear the dead
when they can’t even hoist themselves
out of their plots?
On the way back to long lawns, microwave beef
and Dr Quinn, Jeremiah passes
the haunted pit from his schooldays
with its whispered-down history
and slung fruit peels.
A SOLD sign salutes from the gravel pile.
Mother will complain that he is late,
and wish aloud to trade him in.
A dead girl remains dead.
Kirsty Irving lives in Whitechapel. She co-edits Fuselit. Her debut pamphlet of poems will be published by tall-lighthouse in 2010.

How now we scare ourselves by Caleb Klaces
A Music Box with a Ballerina by Karen McCarthy
Get Parochial! by Luke Wright
When all my disappointments came at once by Todd Swift
The Subprime Lending Crisis Explained as Twelve Points of Punctuation by Sarah Hesketh
You Are The Weather by Sophie Mayer
Vanishment by Adam Horovitz
The Flat on Los Caballeros by Katrina Naomi
Malignants by Jon Stone
Mon divine by Posie Rider
Oh dear oh dear oh dear by Posie Rider
On dressing up as Dracula to come out to your parents by Kirsty Irving
The Sad Girl Waiting at the Mouth of the Pit by Kirsty Irving
Visitors’ Book by Steven Waling
Punk Upgrades to First Class by Alistair Noon
Four Gospels by Jane Commane
The Ruined Chapel by Simon Turner
Four poems from the Japanese by Simon Turner
The Before and After by Natasha Soobramanien
Pink Flamingo Soup by Brian Kelly